Donji Humac 75,
21423 Nerežišća
Island of Brač, Croatia
There are countless buildings for which the building stone was dressed in this workshop. Here are only a few.
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Church of St John the Baptist / work by academic sculptor Lovre Jakšić
- The ambo for the Church of St John the Baptist in Postira represents a powerful synthesis of sculptural expression, symbolism and masterful stone craftsmanship. The author of this work, academic sculptor Lovre Jakšić, consistently explores the relationship between form, material and meaning, creating works that go beyond purely functional purpose. Lovre Jakšić is recognised for his work in stone, where through figurative and symbolic expression he develops a contemporary sculptural language grounded in tradition. His works often carry a strong narrative and spiritual dimension, which is particularly evident in sacral projects such as this ambo. As a place from which the Word of God is proclaimed, the ambo holds deep liturgical symbolism. In this work, this symbolism is further emphasised through the use of the Alpha and Omega signs – the beginning and the end, symbols of Christ as eternal and all-encompassing. Their execution in Rosso Verona stone introduces warmth and contrast to the dominant whiteness of Brač stone. The cross, executed in Verde Guatemala stone, is subtly integrated into the composition, yet through its position and colour clearly points to the central message of the Christian faith. The combination of different types of stone further enhances the symbolic layer of the work. The inlay technique (intarsia), used for these elements, requires exceptional precision and a deep understanding of the material. By carving and inserting different stone segments, a rich visual effect is achieved, along with durability and resistance. The form of the ambo – gently curved, almost sculptural – further emphasises its role within the space. Carved from a single block of white Brač stone, the ambo appears monolithic, solid and enduring, while retaining elegance and simplicity. This work stands as an example of how contemporary sacral art can respect tradition while simultaneously bringing a fresh and authentic sculptural expression.